Distinguish Voices By Defining Their Individual Dynamic Arcs

A big part of newly conceiving the possibilities within notation is our re-examining our reaction to dynamic markings. As pianists, we see forte right between the treble & bass clefs of our staff, suggesting that notes under its immediate purview should all be played, by both hands, forte. One can make allowances to wanting to …

Read moreDistinguish Voices By Defining Their Individual Dynamic Arcs

As Many Different Articulations As There Are Consonants & Elisions

We pianists are taught articulation primarily as a binary concept; it’s either long or short, legato or staccato. There are gradations; a dot over a dash implies short, but not too short. But even within one staccato dot there is ambiguity, possibility. If I saw a staccato 8th note in a piece by Stravinsky or …

Read moreAs Many Different Articulations As There Are Consonants & Elisions

Share →
Send this to a friend