I began work on Book Two of The Well-Tempered Clavier two summers ago at the tail end of my Book One summer project. I focused solely on Book Two since last November, working through to the end in late Spring.
Every reacquaintance, whether over the months or in my recent recapitulations of each Prelude & Fugue in my series of talks, and certainly since my work in the winter, seems to be truly revelatory; testament to the enduring depth and phantasmal rigor and invention that is The Well-Tempered Clavier.
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