Everyone’s favorite Prelude, amirite? The key to the cantilena is actually in the constant readjustment of the bass, between gravity and grace, and in the acknowledgement that here, as in all Bach, ‘chords’ do not exist, only artfully confluent voices.
My 96-episode archive, Everything We Need To Know About Playing The Piano We Learn From The Well-Tempered Clavier, is now available at a special introductory rate of $20 for the first month of 10 episodes (that’s 2 /1/2 hours of material on the first 5 Preludes & Fugues), with at least 10 more episodes a month thereafter.
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