Such a rich panoply of perspective, of foreground/background voices and characters in this f minor Prelude. My favorite moment is The Birth of Robert Schumann @1.07. And I’ve adopted an open-source of decision as to which hand, or between what combinations of left and right hand result in the most successful statement of the opening …
I’ve recorded Book I of The Well-Tempered Clavier through Prelude & Fugue XIV. Meantime, I’ve just now started getting into a really good production schedule, going from one episode of my educational archive, Everything We Need To Know About Playing The Piano We Learn From The Well-Tempered Clavier, per week to one nightly. I’m becoming …
I just wrapped this episode last night. Had in mind to do a very circumscribed talk about this Pastorale, but as usual ended up in all kinds of interesting musico-philosophical by-ways, and now that I’ve left just a soupcon of my stammerings, this one runs about 17min. My favorite part, though, is the excerpt I …
My 96-episode archive, Everything We Need To Know About Playing The Piano We Learn From The Well-Tempered Clavier, is now available at a special introductory rate of $20 for the first month of 10 episodes (that’s 2 /1/2 hours of material on the first 5 Preludes & Fugues), with at least 10 more episodes a …
My 96-episode archive, Everything We Need To Know About Playing The Piano We Learn From The Well-Tempered Clavier, is now available at a special introductory rate of $20 for the first month of 10 episodes (that’s 2 /1/2 hours of material on the first 5 Preludes & Fugues), with at least 10 more episodes a …
Here’s the latest installment of my online traversal of Bach’s immortal 48. My 96-episode archive, Everything We Need To Know About Playing The Piano We Learn From The Well-Tempered Clavier, is now available at a special introductory rate of $20 for the first month of 10 episodes (that’s 2 /1/2 hours of material on the …